OPINION | Musical theater, the unsung art form rich in melody and emotional depth
Kennith Woods, Editor-in-Chief
• July 23, 2024
REVIEW | The 2024 Met Gala’s ‘Garden of Time,’ flourishing or withering?
Eva Saladino, Social Media/A&E Editor in Training
• June 13, 2024
REVIEW | Olivia Rodrigo’s ‘GUTS’ spilled raw emotion and relatability
Abigail Fischer, Social Media Editor
• June 4, 2024
Letter from the Editor: On to the next beginning
Chloe Williams, Editor-in-Chief
• May 10, 2024
REVIEW | Hozier’s EP ‘Unheard’ speaks volumes
Simone Herlihy, Staff Reporter
• April 16, 2024
Manestream Podcast | Roaring Readers S2E2: My Heart is Shaped Like a Bed
Kennith Woods, Editor
• April 9, 2024
REVIEW | Fulfill your ‘Wildest Dreams’ and stream the Eras Tour
Sabrina Benoit, Staff Reporter
• March 19, 2024
REVIEW | “Mean Girls” exceeded my expectations, but only because I had none
Victoria Collins, Staff Reporter
• February 19, 2024
OPINION | An homage to Kobe and Gigi Bryant
Troy Allen, Staff Reporter
• February 8, 2024
REVIEW | A lookback on Gorillaz’s “Demon Days”
Ian Stewart, Opinions Editor
• February 6, 2024
Letter from the Editor: Chloe Williams
Chloe Williams, Editor-in-Chief
• January 16, 2024
REVIEW | “Hunger Games” prequel was a ballad of confusion and mediocrity
Abigail Fischer, Social Media Editor
• January 15, 2024
Load More Stories
- FBI investigating targeted threats toward minority AmericansDecember 16, 2024
- REVIEW | Tyler, The Creator sets rap benchmark with “Chromakopia”December 10, 2024
- Tips and tricks to navigate the finals grindDecember 6, 2024
- Annual Celebration of Lights sets Christmas season alightDecember 6, 2024
- Press Release | Southeastern Louisiana University Police Department’s K9 Jula has received donation of body armorDecember 5, 2024
- Celebrating 50 years of SLU student radioDecember 3, 2024
- 2024 marks electoral firsts for women, minoritiesDecember 3, 2024